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Fujifilm X-E1 16.3 MP Compact System Digital Camera with 2.8-Inch LCD and 18-55mm Lens (Black)

3.4 3.4 out of 5 stars 85 ratings

Compatible Mountings Fujifilm X
Photo Sensor Technology CMOS
Supported File Format JPEG (Exif 2.3),, RAW (RAF format), RAW+JPEG
Image Stabilization No
Maximum Focal Length 55 Millimeters
Optical Zoom 3 x
Maximum Aperture 2.8 f
Expanded ISO Minimum 100
Metering Description Multi, Average, Spot
Brand Fujifilm

About this item

  • 16.3MP APS-C "X-Trans" CMOS sensor
  • 6 frames per second continuous shooting
  • Contrast detect AF
  • ISO 200-6400, expandable up to 25,600
  • 1080 HD video
  • 2.8 inch LCD with 460,000 dots
  • Electronic viewfinder with 2,360,000 dots
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What's in the box

  • Instruction Manual
  • Product Description

    Product Description

    The compact X-E1 is engineered to deliver extraordinary image quality. It starts with FUJIFILM's proprietary 16.3 APS-C X-Trans 2/3-Inch CMOS sensor whose unique pixel array is designed to deliver unsurpassed image resolution and color accuracy. Choose from the newly expanded XF Lens lineup with two new bright, high-definition FUJINON X-Mount lenses including a 14mm F2.8 and an 18-55mm F2.8-F4 lens. The 18-55mm allows photographic flexibility, optimizes low-light shooting and coupled with the EXR Processor Pro, the X-E1 delivers high performance auto - focusing. Everything you need in one compact, beautiful camera system.

    From the Manufacturer





    Introducing the X-E1 from Fujifilm









    X-Trans CMOS Sensor - Enabling high quality imaging

    Equipped with a large APS-C size sensor the resolving and descriptive power of the Fujinon lens can be maximized thereby enabling high resolution over the entire screen.

    Achievement of Superb High Resolution, High Sensitivity & Impressive “Bokeh” Effect

    The X-E1's sensor adopts the same high-performance 16M X-Trans CMOS found in the X Series flagship X-Pro1 model. Featuring an originally developed color filter array with ahighly random pixel arrangement, its X-Trans CMOS sensor eliminates the need for an optical low-pass filter, which is used in conventional systems to inhibit moiré at the expense of resolution. The innovative array lets the X-Trans CMOS sensor capture unfiltered light from the lens and produce unprecedented resolution. The unique random arrangement of the color filter array is also highly effective in enhancing noise separation in high-sensitivity photography. Another advantage of the large APS-C sensor is the ability to create a beautiful “bokeh” effect - the aesthetic out-of-focus effect created when shooting with a shallow depth of field.


    Standard Range to ISO6400 and Extended Range to ISO25600

    Featuring a large APS-C sensor and with the elimination of an optical low-pass filter, Fujifilm's X-Trans CMOS takes advantage of its high-sensitivity performance to deliver a standard range up to ISO6400. No matter when or where the shutter opportunity arises, you can depend on its high-sensitivity image quality to defeat blur caused by camera shake or subject motion. The X-E1's low-light capabilities are guaranteed to capture the moment beautifully.

    • High Resolution

    In bright scenes, every detail from the leaves of the trees to a wisp of hair in a portrait is captured with exceptionally high resolution.

    • Wide Dynamic Range

    In high contrast scenes, for example when shooting landscapes with a strong contrast between bright and dark areas, this technology reproduces the natural tonality in both highlights and shadow.

    FILM SIMULATION - Explore the Nuances of Color.

    Just like choosing the perfect film to match your creative direction, the X-E1 can simulate the color and tonal qualities of acclaimed film brands including the true-to-scene natural look of PROVIA, the vibrant tonality and saturated colors of Velvia and the silky soft look and beautiful skin tones of ASTIA. Film Simulation mode makes it simple to capture the expressive color quality of the rich legacy of Fujifilm photo film technology.

    High-definition and high-luminance 2.36 M-dot “OLED electronic viewfinder”

    By combining the best “OLED electronic viewfinder” in its class with FUJIFILM's original optical technology the X-E1 offers a bright, wide field of vision of which its entirety can be seen at a glance.

    “Natural Look” Electronic Viewfinder Debuts

    • The Fusion of FUJIFILM Optical Technology and a new 2.36M-dot Organic EL

    Adopting an optical structure of two glass lenses and a double aspherical lens, the viewfinder provides a comfortable and natural view of the entire scene with an horizontal apparent field of view of 25°. FUJIFILM's optical engineers have achieved a distortion-free view with astounding edge-to-edge clarity and maintained an excellent field of vision even if the photographer's eye position shifts.

    • Diopter Adjustment Dial


    The X-E1 offers a diopter correction dial that enables users to adjust the strength of the viewfinder in accordance with their eyesight. The dial is located on the side of the viewfinder and can be adjusted from -4m-1 - +2m-1 (dtp).

    • 2.36 M-dot Organic EL Panel

    With approx. 2.36M dots of resolution and 100% coverage, the X-E1 display panel provides incredible detail to perfectly frame and focus your shots. The rich color expression of OLED technology and high contrast ratio of 1:5000* reflect exposure, white balance and film simulation settings with high fidelity, letting you confirm changes in real time.

    * Depending on the shooting conditions.



    An analog interface allowing you to check settings at a glance.


    • Settings can be checked even when the camera is off.
    • High precision parts provide just the right amount of torque and resistance when clicking the dials thereby allowing you to get suitable response when photographing.
    • Interface enabling settings to be changed while looking through the viewfinder.
    • With the exposure dial and shutter speed controlled with the right hand and the aperture ring controlled with the left, the X-E1 enables you to change settings instinctively by feel without looking up from the viewfinder.
    • Being able to change settings in an instant means you won't miss that “perfect shot”.
    • High-rank, high quality design.
    • Beautiful Magnesium Die-Cast Top and Front Cover - Stylish Yet Stron
    • “Made in Japan” Premium Quality

    The built-in flash corresponds to GN7*.

    You can make your subject stand out using the flash, such as the daytime synchro when the sun is in front of you or the capture light when photographing people.

    By combining the superior highly sensitive performance of the X-E1 with highly sensitive settings you can achieve high resolution with little noise by compensating for the amount of light present.

    From assist lamps to full flash the X-E1 will broaden the horizon of your photography.

    * ISO200 · m


    Quick Response

    The X-E1 achieves quick response compatible with DSLR cameras thereby enabling you to never miss a shot.

    Other Features of X-E1

    Use the “Drive” button to switch to photography modes you use often.

      You can smoothly change to the following settings using the DRIVE button.

      • Recording High-Definition (HD) Movies
      • Bracketing
      • AE Bracketing
      • ISO Bracketing
      • Film Simulations Bracketing
      • Dynamic Range Bracketing
      • Continuous Shooting (Burst Mode)
      • Panoramas

        Full HD Movies with Cinema-like Image Quality

        Shoot Full HD movies (1920 x 1080) at 24fps, the same frame rate used for cinema films. In addition to using Monochrome or other Film Simulation modes to enhance your artistic expression, you can take full advantage of the combination of X-E1's large sensor and bright XF lenses to capture movies with a large and beautiful defocused “bokeh” background. Connect stereo microphones (commercially sold) to the microphone connector to record audio with enhanced clarity and presence.

        Film Simulation modes for Movie shooting

        PROVIA - True-to-life natural tonality and color reproduction.

        Velvia - Shoot HD Movies in the vibrant colors of Velvia.

        MONOCHROME - Capture the action in richly expressive monochrome tones.


        Customization Function

        Assign Frequently Used Functions to the Fn Button

        Assign any one of the following frequently used functions to the Fn (Function) button and enjoy smooth one-touch controls during shooting.

        MULTIPLE EXPOSURE / PREVIEW DEPTH OF FIELD / ISO / SELF-TIMER / IMAGE SIZE / IMAGE QUALITY / DYNAMIC RANGE / FILM SIMULATION / WHITE BALANCE / AF MODE / SELECT CUSTOM SETTING / MOVIE / RAW

        Save Custom Settings

        Create, save and instantly recall up to 7 sets of user-defined settings covering all parameters from ISO sensitivity to white balance.

        Focusing

        Selectable AF with a 49-point Metering Matrix

        Within the screen, the auto focus area is divided into a 49-point matrix. AF accurately and swiftly recognizes the primary subject and brings it into crystal clear focus, and also lets you freely select the position of the AF frame. You can also change the AF frame size and pinpoint the focusing.

        0.05-sec Shutter Time Lag

        The shutter time lag is only 0.05 sec, so you can capture the precise instant you wish to and enjoy a comfortable shooting experience.

        High-speed Auto Focus with Lens-Sensor Contrast Detection

        The highly agile linear motor in the XF18-55mm lens combined with the high-speed signal readout of the CMOS sensor and the EXR Processor Pro, achieves a huge leap in AF speed and precision performance. Contrast detection AF in the X-E1 brings your subject into sharp focus in as little as 0.1 sec* so you'll never miss a shot.

        * Fujifilm research

        Manual Focusing Methods

        In the viewfinder, the distance index bar is displayed together with the depth of field scale and aperture value, providing helpful guides for focusing. For pinpoint precision in manual focus mode, just press the Command Dial and confirm sharpness with a zoom view of the focus point. This helpful function also features selectable zoom display ratios. And at a touch of the AE/AF Lock button, you activate the built-in Focus Aid function for automatic focusing of the subject in the focus frame.*

        * Available only when using XF lenses.

        AF Assist Lamp for Low-Light Scenes

        In low-light settings where even the subject is hard to see through the viewfinder, the AF Assist Lamp illuminates the subject and assists Auto Focus.

        Multiple Exposure

        Add Artistry to Your Photographic Expression

        In film cameras, multiple exposure is the photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing, X-E1 can simulate this technique, expanding your creative expression. Just select Multiple Exposure mode and take your first shot using either the EVF or LCD monitor. Next, while viewing the first image, you can frame and shoot the second exposure. This ability to precisely position and focus the second shot lets you not only “see” how the finished Multiple Exposure image will look, but also explore other creative photographic possibilities.

        4:3 Aspect Ratio

        The LCD's 4:3 aspect ratio provides a large screen to view the complete 3:2 image with ample room for display of shooting information outside the image frame.


        Q (Quick Menu) Button

        Fast Shortcut to Shooting Menu Settings

        Skip directly to frequently used shooting menus with the Q (Quick Menu) button. ISO sensitivity setting, White Balance, Film Simulation and other frequently used shooting settings are displayed in a list. Just use the 4-way controller to select the item and the command dial to change settings for speedy operation while shooting.

        In-camera RAW Converter

        The built-in RAW data converter lets you view results in the field without first transferring the data to a PC. This easy-to-use feature not only takes into account exposure compensation, white balance and other in-camera image quality settings, but also lets you apply Film Simulation modes in the converter mode.

        ISO100-25600 Sensitivity Setting Range

        Expand the normal sensitivity range from ISO200-6400 to ISO100, 12800 or even ISO25600. In dynamic lighting conditions, you can now set a sensitivity ceiling within the range of ISO400-6400 and keep the camera on ISO Auto.

        Exceptionally low noise even at high sensitivity.


        From SLEEP to ON in 0.5 sec.

        After turning OFF the power, the X-E1 enters a “sleep” mode (for a maximum of 24 minutes). If the power is turned ON during this time, the X-E1 “wakes up” instantly, reducing the normal startup time from 1.0 sec. to approx. 0.5 sec. ready for you to frame and capture the moment.

        Exposure Control

        Easy-to-use AE/AF Lock Button

        Lock both exposure and focus for the subject by touching the special AE/AF Lock button conveniently placed in the upper area of the rear control panel. Using the setup menu, you can also set the button to lock only AE or AF.

        Selectable Metering Modes

        Swiftly select the best metering for your shot: “MULTI” for accurate response to a variety of lighting conditions, “SPOT” for precise reading of approximately 2% of the viewfinder area in the center of the screen, and “AVERAGE” for an average exposure setting for the entire scene.


        FUJIFILM is pleased to announce the launch of two new models to the FUJINON XF Lens range bringing the total number of lenses available to five, offering much broader photographic appeal.

        Another unique five lenses will be added in the line-up in early 2013, making the total to 10 lenses.

        Looking for specific info?

        Product information

        Warranty & Support

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        Fujifilm X-E1 16.3 MP Compact System Digital Camera with 2.8-Inch LCD and 18-55mm Lens (Black)

        Fujifilm X-E1 16.3 MP Compact System Digital Camera with 2.8-Inch LCD and 18-55mm Lens (Black)


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        Read about our customers' top-rated cameras on our review page: Point-and-Shoot Cameras

        Customer reviews

        3.4 out of 5 stars
        3.4 out of 5
        85 global ratings

        Customers say

        Customers like the quality, image quality and size of the digital camera. For example, they mention it's a great product, very compact and versatile. They're also satisfied with ease of use, and performance. That said some complain about the focus speed and the delay between the subject matter and the viewfinder display. Opinions are mixed on autofocus, and color.

        AI-generated from the text of customer reviews

        46 customers mention42 positive4 negative

        Customers are satisfied with the quality of the camera. They mention that it is a great camera with a beautiful lens. They also say that the lenses are top quality glass. Overall, customers are happy with the product's quality and recommend it to others.

        "...Although the XE1 looks like a Leica and has wonderful precision materials, it does not equal the Leica's lghtning fast street photography...." Read more

        "...'s extra Megapixels and that beautiful Zeiss lens that can really resolve some amazing detail and can go along way in making up for its fixed 35mm..." Read more

        "...I really loved the weight, size, and feel of the camera body, but with the poor performance and other quirks it was easy for me to decide to return..." Read more

        "This is a great landscape camera. Wonderfully sharp, colorful, dazzling images...." Read more

        38 customers mention38 positive0 negative

        Customers are satisfied with the image quality of the camera. They mention that it produces stunning, dazzling, and creamy images. They appreciate the super-clear EVF and the beautiful design. Overall, customers find the camera to be a great choice for their style of photography.

        "...Image was creamy, clean and contrasty.- Fuji XE1 was second. Image was just a bit noisier and rougher than Nikon full frame...." Read more

        "...Neither camera disappoints in this area, both produce beautiful and have low light capabilities that until now was unseen in the compact segment...." Read more

        "...35mm 1.4 lens, hoping to find a much lighter camera with excellent image quality that I could carry with me everywhere...." Read more

        "This is a great landscape camera. Wonderfully sharp, colorful, dazzling images...." Read more

        17 customers mention13 positive4 negative

        Customers like the size of the digital camera. They mention it's very compact, versatile, and lightweight. Some say that the quality is amazing and the weight and size is perfect.

        "...The XE1 is an improvement over XPro-1, simpler, smaller, but still a bit quirky and the interface odd...." Read more

        "...I like everything about it. The image quality is amazing, the weight and size is perfect, the lens available for it are excellent quality - I have..." Read more

        "...that, there are tons of things to like about this camera, including the size, the super build quality, the manual controls, and the value for the..." Read more

        "...Feel of camera: SMALL...." Read more

        15 customers mention11 positive4 negative

        Customers find the controls easy and intuitive to work with. They also appreciate the quick menu feature that makes changing settings fast and easy. Customers also appreciate that the camera has accessible manual controls and great lens options.

        "...peaking, in-camera HDR, articulated LCD, wireless, ability to use legacy lenses easily in MF mode, picture effects)..." Read more

        "...Wonderfully sharp, colorful, dazzling images. Reasonably decent user interface that didn't take too long to learn...." Read more

        "...is good, the build quality is solid, it comes with a lens hood and good manual, the ISO is excellent, the controls are easy and simple to work with,..." Read more

        "...It's light, fun, it even looks nice! The manual controls and dials are great to use. It feels solid...." Read more

        8 customers mention8 positive0 negative

        Customers are satisfied with the performance of the digital camera. They say that it does a wonderful job, the stabilizer works very well, and is completely adequate for their use. They also mention that the results are stunning and the camera is useful and comprehensive.

        "...the Fuji (kit plus a beautiful 35 mm prime) and have been thrilled with its performance. I've carried it on long runs through the fog...." Read more

        "...easy and simple to work with, the features are just enough and work really well and the auto-focus is good...." Read more

        "...I have found it to be completely adequate for my use, and very accurate...." Read more

        "...Very smooth. Superb sharpness on the X-E1, and the stabilizer works very, very well...." Read more

        18 customers mention10 positive8 negative

        Customers are mixed about the autofocus of the camera. Some mention that it's good, fast, and makes manual focusing a snap. However, others say that it is below average, has a very hard time focusing in low light, and has clumsy and unsatisfying motorized focus coupling.

        "...With well lit subjects, I found both cameras equally snappy in their ability lock focus...." Read more

        "...I also had a number of focus misses, even though the camera appeared to lock on...." Read more

        "...with, the features are just enough and work really well and the auto-focus is good.This camera is everything you want in a camera...." Read more

        "...The only down side is the auto focus, which is actually not horrible but not up to DSLR caliber stuff...." Read more

        12 customers mention8 positive4 negative

        Customers are mixed about the color of the camera. Some mention that the colors are really nice on the portrait side of things, with Fuji color palettes, shooting flexibility, and contrasty images. However, others say that the m4/3 has noise over ISO 1600, too much contrast, orange tones, and jumpy and ghosty in low light. They also say that more than 50% of pictures were out of focus.

        "...Image was creamy, clean and contrasty.- Fuji XE1 was second. Image was just a bit noisier and rougher than Nikon full frame...." Read more

        "This is a great landscape camera. Wonderfully sharp, colorful, dazzling images...." Read more

        "...The AF is just horrible. More than 50% of pictures were out of focus (not even close). It just can't seem to focus on the subjects, namely people...." Read more

        "...The image quality is superb, the colors out of the camera are great, and exposures are surprisingly good even in difficult lighting situations...." Read more

        15 customers mention3 positive12 negative

        Customers are dissatisfied with the focus speed of the camera. They mention that it's slow and bulky. They also say that the AF speed is not like a DSLR and that there is a considerable delay between the subject matter and the viewfinder display. Overall, some customers are disappointed with the poor performance and other quirks of the product.

        "...Besides the EVF, which many folks will not like, the autofocus is slow and in some cases (60 mm lens) borderline unacceptable...." Read more

        "...loved the weight, size, and feel of the camera body, but with the poor performance and other quirks it was easy for me to decide to return this..." Read more

        "...HOWEVER, the focus is miserably slow and useless for photographing kids - which is a major use for me... I had to return it...." Read more

        "...AF speed is not as bad as I would have expected with the latest firmware updates...." Read more

        Still a good camera despite some flaws
        4 Stars
        Still a good camera despite some flaws
        I picked up one of these on a special deal an ex display model, with 12 months warranty. The X-E1 has been discontinued, but remains very attractively priced if you can find older stock or a second hand buy. This model sits between the entry X range and the X-Pro 1 and X-T1 and has been replaced with the X-E2. This bundle includes the XF 18-55 mm f/2.8-4 OIS lens this is quite a good optic and is a cut above the normal 18-55mm kit lenses being both better build and faster aperture wise it's a good all round lens.Warts aside the camera has had some significant firmware updates, and retains the same X-Trans CMOS sensor that the X-Pro 1 has, even though there are newer models the image quality is virtually identical between all the cameras (at least in raw)My summary of stronger and weaker aspects of the camera having shot with one for a few weeks nowGood points:+ Solid build, partial magnesium alloy it's not quite as beefy as the X-Pro 1 but a step up in build v the entry models+ Good high resolution EVF 2.3 million dot OLED+ Excellent sensor, good details and dynamic range lots of latitude for raw processing at both ends+ Very good jpeg processing (in fact much nicer than the newer models) contrast isn't too high, dynamic range is very decent and it doesn't suffer from the aggressive noise reduction new models do+ Great low light performance (though Fuji are overstating the actual ISO somewhat)+ Easy to use and mostly intuitive operation Q Menu is very useful and makes most settings within easy reach+ Some useful features like panoramic sweep, electronic level, option to store up to 7 custom settings+ AF + MF allows you to manual focus after autofocus (with latest firmware update)+ Focus peak feature useful for manual focus or using non Fuji lenses with an adapter, 2 levels of magnification+ Metering and Auto White Balance are mostly on target, appealing tonality and “look” to images (very subjective but many do like the Fuji look)+ Traditional “range finder” feel in both handling and style, shutter speed dial and exposure compensation give a more “hands on” experience, two buttons can be user set to specific functionsWeaker aspects:- EVF lags in lower light conditions (quite a bit)- Rear LCD is a perfectly usable 460k 2.8” panel but it's not up to the newer displays nothing stand out here- No way to remove the EV compensation on the EVF display (cuts into the image on the left hand side)- Continuous autofocus isn't great, central AF point only not really suitable for action or moving subjects (at least not moving quickly)- 2.5mm microphone socket the whole world uses 3.5mm and Fuji picks a non standard size (you can buy an adapter for it)- No shutter speed setting on the dial for the 1/180 sec flash sync speed. No “auto” setting for min. shutter speed (you just set it, not focal length aware useful but not as good as it might be) EVF doesn't show actual exposure until half pressing the shutter button (can be an issue in low light)- Cannot change battery or card when on a tripod (door is covered)Notes:Buffer depth is approx 12 frames at 6fps for raw (with a fast card)Battery life is quote at 350 frames, it's near to that actual world shooting (get a spare though)Video mode has no direct access though you can set it to one of the Fn buttons, you have a few options (not many) you can use an external mic and video is 1080p or 720p at 24fps (and only that)Video quality is passable but shows some signs of false colours and not really for serious use.There are no scene modes you can access shutter priority via the top dial (and use the D pad to select speeds in between those marked) Aperture priority is on the lens or if you have a lens without the ring on the rear dial. The closest to Auto is A setting on the shutter dial and A on the lens (i.e. a Program mode)The pop up flash works reasonably well though it's not hugely powerful, you have a hot shoe for external flash, a mini USB connector and HDMI out are under a door on the left hand side.**Firmware updates**Over time Fuji have done some significant updates for this model the latest firmware is:Ver.2.40Updates have included improvements to AF speed and accuracy (it is now on a par with the X-M1 X-A1 models) Min shutter speed can be set to 1/500 second, focus peak function was added, Fn 2 button added (to the bottom D pad button) option to MF after AF is confirmed (menu setting) and more.There are some important differences for users who are using non Fuji lenses with adapters, the viewfinder alone helps stability and hand holding significantly, the min shutter speed is 1/500 second (this is capped to 1/200 second on the entry models) this is a better choice than the X-M1 or X-A1 esp for longer focal lengths. For other users this is in most ways very much a “back to the old ways” type of camera, no face detection only a handful of features (panoramic and double exposure) and a complete lack of “scene modes” you are back to a shutter speed dial and aperture ring (if the lens has it) putting the emphasis on simplicity and not on snazzy features. For new users they might feel more at home with the entry level X models to start with, but more experienced shooters will probably enjoy the simplicity of the camera.Whilst the weaker points are worth looking at, esp the lag of the viewfinder in low light (the X-E2 resolved this), the camera still has a lot going for it, image quality is excellent even the jpegs strike a good balance between details and noise reduction (much better than the newer models here for some reason). Dynamic range is very good though do experiment with the DR settings 200% and 400% which improve the highlight details more. Newer models have ironed out the kinks and niggles of this camera and it doesn't sport the improved AF or some of the more advanced features/big EVF of the X-T1, but you can pick one of these up for a song and even if you don't have a lot of Fuji lenses DSLR users can pick up an adapter and use their own lenses (you'll have to focus and change aperture manually but in some ways that adds to the retro charm)I have one of these in addition to my SLR equipment, it makes a useful side kick and a capable camera in it's own right, but it's not for action shooters (the AF isn't up to the job) but for other tasks like landscape and portrait/street work, it's still a capable model. Something of a flawed gem but still worth hunting out.
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        Top reviews from the United States

        Reviewed in the United States on December 2, 2012
        I arranged to get these three top cameras at the same time and tested them on the same indoor shot (bookcase of colorful books) with room light at ISO 3200 and 800 and flash at ISO 200. Had to use different lenses of course (18-55mm zoom on Sony, 24-85mm zoom on Nikon, 18-55mm zoom on Fuji), and all shots were JPEGs, so this comparison does not make it possible to distinguish the relative contributions of sensors, lenses, jpeg processors. All the noise reduction settings were on defaults. Just for fun I threw in my Canon S95 pocket camera and my iPhone5. All pix were blown up to the screen equivalent of about 24" wide.

        A word about JPEGs vs. RAW: It is important to understand that modern lenses including these three are no longer just hunks of glass; they are designed to be used with the in-camera JPEG processing firmware, which undoes the inherent distortions on the wide angle side. Vignetting is also corrected, and chromatic aberration. It is no longer necessary to design lenses depending so much on the difficult correction of glass elements with additional glass elements, aspherics, etc. Lenses are now part software, which results in better optics at lower cost. In principle a poor single element lens could give near perfect results, limited only by the processing power of the little computer in your camera. You can see this for yourself; watch the LCD image and then fire the shot - you'll see the replay image come up with the whole field visibly altered by software distortion correction. For this reason it would require a lot of skill and Photoshop time to do the same thing manually starting from the RAW images. JPEG's are the way these lenses are designed to be used, so that's how they should be evaluated, as part of the whole camera.

        Results at ISO 3200:

        - Nikon D600 (full frame) gave the nicest image, as we should certainly expect for the sensor size, camera size and weight, and cost. Image was creamy, clean and contrasty.
        - Fuji XE1 was second. Image was just a bit noisier and rougher than Nikon full frame.
        - Sony NEX6 was third. Although it had more contrast than the Fuji, this varied by colors; in some areas, such as red type on a blue book cover, the image actually washed out completely. Noisier than Fuji and evident compression artifacts.
        - Canon S95 quality is not in the same ballpark at high ISO and magnification; very rough.
        - iPhone5; like a juvenile delinquent in a class full of straight A students!

        Results at ISO 800:

        ISO 800 is my basic setting in daily photography. All three images were beautiful.
        - XE1 was the cleanest, but the Sony NEX had more punch and contrast.
        - Nikon D600 was a bit rougher and noisier than the other two, but of course had the highest pixel density when blown way up.

        Results at ISO 200:

        - Nikon D600, Fuji XE1 and Sony NEX 6 are quite comparable, with the choice being almost a matter of taste. Here the D600 is a bit noisier than XE1 in some areas and many people would say the Fuji XE1 half frame actually looks better overall than the Nikon full frame, which is remarkable. Sony NEX is right up there with them; the three images have different qualities, but there is no obvious winner. Canon S95, although still raggedy compared to this company, is not bad at all at low magnification and low ISO.

        What is amazing about comparing XE1 and D600 is not that the Nikon DSLR is superior but that it is only SLIGHTLY superior and then only under extremely low light and high magnification. Fuji really seems to have some special sauce on their half-frame sensor which allows it to capture photos almost as good as a full-frame DSLR. At ISO800, they are all very good but XE1 is best. If your goal is best image with least bulk to lug around, XE1 is the winner. The XE1 is an improvement over XPro-1, simpler, smaller, but still a bit quirky and the interface odd. Sony NEX was just a bit muddy at high ISO, but superb at ISO800 and below. Also, there are so many other good things about Sony NEX (focus peaking, in-camera HDR, articulated LCD, wireless, ability to use legacy lenses easily in MF mode, picture effects) that I use mine all the time.

        Let's talk about viewfinders. I have a soft spot for my Nikon, and greatly prefer the optical through-the-lens viewfinder to EVF or LCD, but objectively speaking, purely in terms of image quality per unit weight/size, there is no longer any real justification for DSLR. Fuji is a unique instrument for the photographic artist. Sony NEX is also so good as to make the need for full frame DSLR questionable, and is the most flexible, ergonomic and cleverly fabricated of the three. You may have various reasons to choose one of these three, but image quality is no longer the deciding factor. Finally, all three of these are cameras for photographic fanatics; for ordinary folks looking to capture uncropped snapshots in good light at a viewed size about 4x5, the tiny Canon S95 and iPhone5 results don't look that much worse to the naked eye.

        So that's the good news; now for the other news. If image quality were the ONLY consideration, we would all still be using 8X10 view cameras. There is also useability in day to day picture taking, and here the XE1 is going to make many photographers unhappy. Besides the EVF, which many folks will not like, the autofocus is slow and in some cases (60 mm lens) borderline unacceptable. Also the latency (time from button press to shutter release) is lacking. Although the XE1 looks like a Leica and has wonderful precision materials, it does not equal the Leica's lghtning fast street photography. The XE1 is quirky and idiosyncratic in its menus and has a significant learning curve. Five stars because the IQ is so outstanding, but an overall assessment would be lower.

        Update in June 2013: My predictions about customers not necessarily liking the XE1 even though the images it makes are stunning is proving to be correct. Fuji is reducing prices subtantially, which can only be because sales are not meeting projections. I suspect there are significant levels of returned product as well. In addition, the main reason for mirrorless was size and weight over DSLR, but Canon has recently put out the SL1 which is smaller and lighter than the XE1!

        Bottom line is that the XE1 is a lovely instrument but not for everyone; you really should try it out before buying.
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        Reviewed in the United States on January 21, 2013
        I've been playing with both these cameras for the past few weeks with the intent of choosing one as an alternate to my DSLR rigs and main travel camera. I've never been happy with the compromise in image quality you would have to make with compact cameras, so up to this point I've been 'that guy' toting around my 5DmkIII on family outings. I even bought the (amazingly sharp) 40mm pancake lens to make my rig more compact but it's still far from being as small as either of these two cameras.

        Build Quality
        While both these cameras have a very high end build quality rarely seen these days, the Sony is clearly a step above the with Fuji with its metal lens cap and overall solid construction that makes it feel as if it was machined from a single piece of metal.

        Design
        Here's where I give the Fuji the edge as it most closely captures the feel of my beloved Contax G2. I prefer Fuji's choice of separate aperture and shutter speed selection dials with the 'A' setting verses Sony's PASM. Call me old school but I really like looking down and seeing the shutter speed with a glance of a dial instead looking at the LCD screen. But one of the biggest nods in the Fuji's favor is the inclusion of a viewfinder - while I'm still not thrilled with the performance of the EVF, it's worlds better than no EVF at all. I really think Sony should have put a viewfinder on the RX-1, I understand they were pushing the envelope on just how small you can make a full frame camera - but I think the slight increase in size to put a viewfinder on the camera would have still resulted in compact design but it would have made such a big improvement in the way you interact with the camera. I also think it would have resulted in a body size that would be much more proportionally balanced with the lens. I personally don't like the

        Performance
        Much has been said on the web on how slow these cameras are in AF in low light, I found neither one unacceptable and much better than I could have done manually. I found AF tracking of moving subjects poor on both cameras that may be disappointing to those who enjoy shooting active subjects.
        With well lit subjects, I found both cameras equally snappy in their ability lock focus. General menu navigation and image review and zooming did appear to be slightly better with the Sony but overall, I'd call this one a tie.

        Image Quality
        It all comes down to this right? What good is all the handling, ergonomics and compact size advantages if you don't end up with images that make you happy. Neither camera disappoints in this area, both produce beautiful and have low light capabilities that until now was unseen in the compact segment. But the adv pantage goes to Sony with it's extra Megapixels and that beautiful Zeiss lens that can really resolve some amazing detail and can go along way in making up for its fixed 35mm lens with some post processing cropping.
        My comparisons may be a bit unfair since the Fuji had a zoom lens vs. a prime but the Sony was giving my 5DmkIII a run for its money so I don't think I'm going too far out on a limb to say that swapping out the zoom would have reversed my opinion.

        Conclusion
        While Steve Huff(stevehuffphoto.com) did the same comparison and chose the RX-1 as his personal choice. I came to the opposite conclusion, for me, the Fuji's controls, design of operation and VIEWFINDER won me over. It may be totally superficial but I felt as though I was more 'in touch' with the photographic process with the Fuji. It felt more like a tool in my hand for me to craft my art instead of the latest wiz-bang gadget and that was significant enough for me to overlook the IQ advantage of the Sony. Some may find the price difference alone enough reason to choose the Fuji but I find that the hurt in the wallet is only temporary, but the sting of dealing with a camera you don't enjoy is much longer lasting. In fact, if Sony would have released the RX-1 with a viewfinder and better controls, I would have no hesitation in paying the asking price. But for now, the Fuji XE-1 will be at my side...
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        Reviewed in the United States on December 5, 2013
        I purchased this camera with the excellent 35mm 1.4 lens, hoping to find a much lighter camera with excellent image quality that I could carry with me everywhere. After only a couple of days of shooting with this combo, I have decided to return them.

        First of all, I knew going in that the autofocus would be slower than the DSLRs I was used to and was prepared for it. However, I was surprised at just how slow it really is, even after installing the latest firmware updates for both the body and the lens. I also had a number of focus misses, even though the camera appeared to lock on. In lower lighting levels, the lens would often hunt back and forth before achieving focus.

        Nearly every time I picked up the camera, I found that the power switch was on despite shutting off the camera beforehand. Very minimal pressure is required to move it from the off to on state, and just the act of putting the camera into a bag is enough to turn it back on. I've never had a digital camera that was so difficult to turn off, and keep off.

        The final straw occurred earlier today when I took a photo of an old red brick mill building. There were odd wide wavy bands of yellowish color running throughout the brick. I have not seen these wavy bands in any other photos shot with the camera, so I'm wondering if there was something about the brick pattern may have triggered the false colors.

        I really loved the weight, size, and feel of the camera body, but with the poor performance and other quirks it was easy for me to decide to return this camera and lens.
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        Top reviews from other countries

        Ron Asp
        5.0 out of 5 stars Nice to use....Love it...
        Reviewed in Canada on May 16, 2014
        Wasn't sure but someone I know bought one and really liked it. they were on special so I bought one... Really like it, will be buying a new wide angle for it.. I own a Nikon d3 and many lenses,,,, the x-e1 is small but mighty... an idea camera for a trip... Everyone should at least take a look at one, lots of features... Some like it and again some will hate it... I am on the plus side.
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        Markiewski
        4.0 out of 5 stars The button placement is annoying when you switch from the xpro1 to xe1
        Reviewed in Canada on March 23, 2015
        For the price Amazon was selling (after Fuji XE2 came out), thought getting this kit was a steal. Similar to the x-pro1, this little brother feels a bit cheap with the plastic. The button placement is annoying when you switch from the xpro1 to xe1. But still performs well. Nice little kit.
        Andrew Lau
        4.0 out of 5 stars Very good camera
        Reviewed in Canada on April 24, 2015
        Very good camera with good lens. The only thing I am not satisfied is that I initially ordered the package with an additional battery but it never comes and I have to switch to this one at the same price.